台灣當代畫家

徐明義六六風華畫集(七)—秋興(彩墨)

作者:徐明義
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秋興彩墨

秋天到了。

在這戶野溪畔人家──屋前屋後的樹叢都染上紅韻,穿上紅衣。房子旁邊壘上兩疊稻草堆,稻草堆旁再植幾棵芭蕉,畫中洋溢出盎然詩意。

我覺得畫畫的發展應該是先「寫生」,其次「寫景」,最後「寫情」──構築情境、追求情趣、豐富閱歷、美化人生。先觀察(寫生)了解大自然,以大自然為師。其次安排構圖(寫景、寫境),疏密的處理,賓主的位置,色彩的敷陳等等,儘量做到最美的極致。最後就是自我情感的抒發,不求形似,以手寫心,以心寫神、信手揮灑、寫情寄意,俾能達到最高最美的境界──神韻。

Autumn Thoughts /ink and color painting

Fall has come.

The thickets of trees growing in front and behind this house by the edge of a wild stream are tinted red, as if wearing red clothing. There are two piles of straw by the side of the house, and several banana trees grow by the straw piles. The painting as a whole has a rich poetic feel.

I believe that the development of someone’s painting should proceed from painting from life to painting to portray a composition, and finally to painting to express feelings. Painting allows the artist to construct scenes, pursue his interests, enrich his experience, and beauty people’s lives. A painter should first observe (and sketch) nature, taking nature as a teacher. The painter should then seek to arrange the composition, adjust the density of the scene, establish the perspective, and apply colors, with a goal of making the painting as beautiful as possible. Finally, the painter should try to express his emotions, without insisting on creating an exact likeness. The painter should his hand to convey his heart, and use his heart to convey his spirit. By painting without much forethought, the painter can express feelings and achieve the ultimate state by creating a poetic spell. @

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